|
|
Models in the Era of Socialism
Pravda, Jiří ; Franc, Martin (advisor) ; Schindler-Wisten, Petra (referee)
This diploma thesis deals with profession of mannequin in Czechoslovak. Focus is on the 1960s and 1970s of the 20th century. The diploma thesis focuses on questions, how the woman in Czechoslovakia could become a mannequin, how mannequins were perceived by ordinary people, what position in the world of work they had and what benefits mannequins had from their professions (e.g. benefits in the opportunity of travel, the opportunity to participate in an international exhibitions, filming etc.). The diploma thesis also focuses on the image of mannequins in contemporary media, especially in a feature film. In the diploma thesis there is not neglected contemporary fashion as well with focusing for example on artificial fabric or fashion that was seen in common shops and on the streets. The supporting structure of the thesis consists of interviews with mannequins of the socialist era, but one of the narrators is also a fashion designer Zdeňka Bauerová.
|
|
|
Models in the Era of Socialism
Pravda, Jiří ; Franc, Martin (advisor) ; Schindler-Wisten, Petra (referee)
This diploma thesis deals with profession of mannequin in Czechoslovak. Focus is on the 1960s and 1970s of the 20th century. The diploma thesis focuses on questions, how the woman in Czechoslovakia could become a mannequin, how mannequins were perceived by ordinary people, what position in the world of work they had and what benefits mannequins had from their professions (e.g. benefits in the opportunity of travel, the opportunity to participate in an international exhibitions, filming etc.). The diploma thesis also focuses on the image of mannequins in contemporary media, especially in a feature film. In the diploma thesis there is not neglected contemporary fashion as well with focusing for example on artificial fabric or fashion that was seen in common shops and on the streets. The supporting structure of the thesis consists of interviews with mannequins of the socialist era, but one of the narrators is also a fashion designer Zdeňka Bauerová.
|
|
| |
|
| |
|
| |
|
| |
|
| |
|
|
Technical tools of picture stylisation
Todorov, Simon ; MYSLÍK, Jiří (advisor) ; JÍCHA, Marek (referee)
This bachelor these is focused on the problematic of picture stylization thru the technical aspect. The stylization itself is not the concern of these theses. This work only deals with the technical tools and there influence in the final picture. It contains two main parts - time of production and time of postproduction in which are written the primary points of the process and the technics cinematographers applies. The tools are described gradually combined with the problems which may appear during the workflow. For each problem there in an explanation of how does the final picture change. Their consequences are also described, such as the job of cinematographer and his role in present times. In this these is also explained, brief-ly, the procedures of shooting and postproduction, presentation and archiving.
|
|
|
Filming underwater
Dvořáček, Šimon ; BRABEC, Jaroslav (advisor) ; HYNEK KRÄMER, Kristian (referee)
The topic of this thesis is "under water shooting ." Text deals with the theoretical and practical problems associated with underwater filming. Given the empirical type of the thesis, the text focuses on the personal experience gained during the filming of underwater scenes of Menandros & Thais movie, I worked as director of photography for. All the experience I gained during the preparation and the actual filming should be benefit to those who will in the future address this issue.
The first part of the thesis is a brief history and theory of diving. It describes development of diving equipment from the the beginning until today and explaines the theoretical minimum for underwater filming.
The second part is a description of underwater battle to the detail, where I worked as a director of photography on the preparation, implementation and finalization. This chapter is divided into five parts. The first part deals with the initial concept of underwater scenes. The second part describes the preparation for filming. The third and fourth parts deal with the implementation from rehearsals up to filming. The last, fifth part focuses on the reflection of the underwater scene. Here I outline what was brought to the reality from the concept.
|
|
|
Shooting narrative films with only available light
Milota, Lukáš ; ŠOFR, Jaromír (advisor) ; MACÁK, Jiří (referee)
This thesis describes the topic of shooting a narrative film without the use of film lighting.
The first part describes the topic in its general outlines and defines the various terms related to shooting in available light. Explores the motivation of other artists to choose this way of working and their subsequent style of work during the shooting. I also mention some film movements that are related to the topic.
The second part is a description of the preproduction, shooting and postproduction of my graduation film "A Night Too Young" . In this project I used the method without the use of film lighting.
|
guest ::
